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DTSTART;TZID=America/New_York:20190913T163000
DTEND;TZID=America/New_York:20190913T163000
DTSTAMP:20260507T004442
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SUMMARY:“The Making of The Hunger"
DESCRIPTION:Donnacha M. Dennehy (composer) and Iarla Ó Lionáird (singer) discuss the creation of their new music-theater piece on the Famine in Ireland. Introduced by Lecturer in Theater  Michael Cadden\, the event is cosponsored by Princeton University’s Department of Music. \nThe Hunger premiered in 2016 starring O’Lionáird at BAM Next Wave Festival. It is based on diaries and personal accounts from the period of the Great Famine in Ireland (1845-52). A departure from conventions in which the ensemble is concealed in the orchestra pit\, the work integrates the players with the action and storytelling taking place on stage. The production includes video of present-day thinkers who consider the conditions that led to the famine and their implications for inequality in our own time. \nThe Great Famine was a time of major upheaval\, the historical significance of which is well documented. At least one million people died and yet another million emigrated. Less well-recorded are accounts of those who directly witnessed and suffered through the famine. At the heart of Dennehy’s The Hunger are personal\, contemporaneous stories that introduce new dimensions in the tragedy of the famine. The Hunger also addresses the complex issues of governance and economic policy by complementing these personal\, historical voices with video interviews of contemporary economists and political philosophers\, such as Noam Chomsky and Paul Krugman. The piece not only recounts history as it happened\, but also addresses the current socioeconomic problems of the recent global economic crisis. \nComposer Donnacha Dennehy. Photo courtesy of the artist.\nDennehy is a professor of music at Princeton. His music has been featured in festivals and venues around the world\, such as the Edinburgh International Festival\, Royal Opera House London\, Carnegie Hall New York\, The Barbican London\, The Wigmore Hall London\, BAM New York\, Tanglewood Festival\, Holland Festival\, Kennedy Center\, Huddersfield Contemporary Music Festival in the UK\, Dublin Theatre Festival\, ISCM World Music Days\, Bang On A Can\, Ultima Festival in Oslo\, Musica Viva Lisbon\, the Saarbrucken Festival\, and the Schleswig-Holstein Festival. He has received commissions from Dawn Upshaw\, the Kronos Quartet\, Alarm Will Sound\, Bang On A Can\, Third Coast Percussion\, Icebreaker (London)\, the Doric String Quartet (London)\, Contact (Toronto)\, Lucilin (Luxembourg)\, Orkest de Ereprijs (Netherlands)\, Fidelio Trio\, Percussion Group of the Hague\, RTE National Symphony Orchestra\, the St. Paul Chamber Orchestra\, BBC Ulster Orchestra and the San Francisco Contemporary Music Players\, among others. Collaborations include pieces with the writers Colm Tóibín (The Dark Places) and Enda Walsh (including the opera The Last Hotel\, and a forthcoming opera The Second Violinist)\, the choreographers Yoshiko Chuma and Shobana Jeyasingh\, and the visual artist John Gerrard.  Dennehy founded Crash Ensemble\, Ireland’s now-renowned new music group\, in 1997. Alongside the singers Dawn Upshaw and Iarla O’Lionáird\, Crash Ensemble features on the 2011 Nonesuch release of Dennehy’s music\, entitled Grá agus Bás.  NPR named it one of its “50 favorite albums’’ (in any genre) of 2011. He joined the music faculty at Princeton in 2014. \nSinger Iarla Ó Lionáird. Photo courtesy of the artist.\nÓ Lionáird is a global scholar at Princeton in the Department of Music and Irish Studies and in 2016 was a Belknap Teaching Fellow in the Council of the Humanities. He has carved a long and unique career in music in Ireland. From his iconic early recording of the vision song Aisling Gheal as a young boy to his ground-breaking recordings with Dublin’s Crash Ensemble\, he has been widely recognized. In addition to Dennehy\, he has worked with a stellar cast of composers internationally\, including Nico Muhly\, Dan Trueman\, Gavin Bryars and David Lang\, and he has performed and recorded with such luminaries as Peter Gabriel\, Robert Plant\, Nick Cave and Sinead O’Connor. His unique singing style has carried him to stages and concert halls all over the world\, from New York’s Carnegie Hall and Lincoln Center to the Sydney Opera House\, London’s Royal Albert Hall and beyond. His film credits include The Gangs of New York\, Hotel Rwanda\, and most recently as featured vocalist in the film Calvary starring Brendan Gleeson and the film adaptation of Colm Tóibín’s Brooklyn starring Saoirse Ronan. \nOn September 17\, Princeton Sound Kitchen\, the University’s lab for new music by composition faculty and staff\, will present a program of new works including a concert version of The Hunger performed by Ó Lionáird\, soprano Katherine Manley\, and the ensemble Alarm Will Sound. The concert\, at 8:00 p.m. at Richardson Auditorium\, is free and open to the public\, however advance tickets are recommended (available at https://music.princeton.edu/events/alarm-will-sound.) \nThe Fund for Irish Studies is generously sponsored by the Durkin Family Trust and the James J. Kerrigan\, Jr. ’45 and Margaret M. Kerrigan Fund for Irish Studies. \n 
URL:https://fis.princeton.edu/event/the-making-of-the-hunger/
LOCATION:James Stewart Film Theater\, 185 Nassau Street\, Princeton\, NJ\, 08544\, United States
CATEGORIES:Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20161118T163000
DTEND;TZID=America/New_York:20161118T180000
DTSTAMP:20260507T004442
CREATED:20161101T171723Z
LAST-MODIFIED:20161101T171831Z
UID:1418-1479486600-1479492000@fis.princeton.edu
SUMMARY:Iarla Ó Lionáird and Donnacha Dennehy perform and discuss their recent collaboration on a new opera\, Hunger
DESCRIPTION:Belknap Teaching Fellow Iarla Ó Lionáird and Assistant Professor of Music Donnacha Dennehy\, two faculty members at Princeton University\, will discuss and perform excerpts of Dennehy’s new opera\, Hunger\, on Friday\, November 18. The discussion and performance will take place at 4:30 p.m. in the Lewis Center for the Arts’ James M. Stewart ’32 Theater at 185 Nassau Street. Part of the 2016-17 Fund for Irish Studies series at Princeton University\, this event is free and open to the public. \nHunger\, which premiered earlier this year starring O’Lionáird and recently completed a run at the BAM Next Wave Festival\, is based on diaries and personal accounts from the period of the Great Famine in Ireland (1845-52). A departure from conventions in which the ensemble is concealed in the orchestra pit\, the work integrates the players with the action and storytelling taking place on stage. The production includes video of present-day thinkers who consider the conditions that led to the famine and their implications for inequality in our own time. The Great Famine was a time of major upheaval\, the historical significance of which is well documented. At least one million people died and yet another million emigrated. Less well-recorded are accounts of those who directly witnessed and suffered through the famine. At the heart of Dennehy’s Hunger are personal\, contemporaneous stories that introduce new dimensions in the tragedy of the famine. The opera also addresses the complex issues of governance and economic policy by complementing these personal\, historical voices with video interviews of contemporary economists and political philosophers\, such as Noam Chomsky and Paul Krugman. The opera not only recounts history as it happened\, but also addresses the current socioeconomic problems of the recent global economic crisis. \nDennehy is an assistant professor of music at Princeton. He has received commissions from Dawn Upshaw\, the Kronos Quartet\, Alarm Will Sound\, the St. Paul Chamber Orchestra\, Bang On A Can\, Joanna MacGregor\, the Percussion Group of the Hague\, and the San Francisco Contemporary Music Players. His recent opera\,  The Last Hotel (2015)\, met with critical acclaim in the U.K. when it premiered at the Edinburgh International Festival and has had runs at St. Ann’s Warehouse in New York\, the Dublin Theatre Festival\, and the Royal Opera in London. His new piece for Nadia Sirota and viol consort will premiere at Symphony Space in 2016 and is being recorded for future release by Bedroom Community. Dennehy’s collaborations include pieces with the writer Enda Walsh\, the choreographers Yoshiko Chuma and Shobana Jeyasingh\, and the visual artist John Gerrard. In 2010\, his single-movement orchestral piece Crane was recommended by the International Rostrum of Composers. Dennehy is the founder of Ireland’s renowned music group Crash Ensemble. Alongside the singers Upshaw and O’Lionáird\, Crash Ensemble is featured on the 2011 Nonesuch release of Dennehy’s music\, entitled Grá agus Bás. Releases of Dennehy’s music include a RTE Lyric FM portrait CD of his orchestral music and a number of works by NMC Records in London and Cantaloupe in New York. Previously a tenured lecturer at Trinity College Dublin\, Dennehy was appointed a Global Scholar at Princeton University in 2012. He was has also served as composer-in-residence for the Fort Worth Symphony Orchestra in Texas (2013-14). He joined the music faculty at Princeton University in 2014. \nÓ Lionáird is a Belknap Teaching Fellow in the Council of the Humanities and in Music and Irish Studies at Princeton. An Irish musician with a focus on traditional sean-nós style\, he has carved a long and unique career in music in Ireland and internationally. From his iconic early recording of the vision song “Aisling Gheal” as a young boy to his groundbreaking recordings with Dublin’s Crash Ensemble\, he has been widely recognized for his artistic ambition within the Irish music fraternity. Ó Lionáird has worked internationally with renowned composers Nico Muhly\, Gavin Bryars\, Dan Trueman\, and David Lang. He has also performed and recorded with artists such as Peter Gabriel\, Robert Plant\, Nick Cave\, and Sinead O’Connor. Ó Lionáird’s unique singing style has carried him to stages and concert halls all over the world\, from New York’s Carnegie Hall to the Sydney Opera House. His film credits include The Gangs of New York\, Hotel Rwanda\, and most recently as a featured vocalist in the films Calvary and Brooklyn. He is also the vocalist of the critically acclaimed Irish/American band The Gloaming. At Princeton\, Ó Lionáird is teaching the fall 2016 course\, “Sound and Place\,” and plans are underway for him to co-teach a spring 2017 course entitled “Introduction to Irish Studies.”
URL:https://fis.princeton.edu/event/iarla-o-lionaird-donnacha-dennehy-perform-discuss-recent-collaboration-new-opera-hunger/
LOCATION:James M. Stewart ’32 Theater\, 185 Nassau Street\, Princeton\, 08542
CATEGORIES:Concert,Conversation
ATTACH;FMTTYPE=image/jpeg:https://fis.princeton.edu/wp-content/uploads/2016/11/donnacha-dennehy-600.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20161014T163000
DTEND;TZID=America/New_York:20161014T180000
DTSTAMP:20260507T004442
CREATED:20161010T122151Z
LAST-MODIFIED:20161010T122151Z
UID:1414-1476462600-1476468000@fis.princeton.edu
SUMMARY:Performance by Award-Winning Musicians Brían Ó hAirt and Len Graham — “The Road Taken: Songs\, Music and Dance from the Irish Tradition”
DESCRIPTION:Len Graham and Brían Ó hAirt\, two award-winning musicians and proponents of Irish traditional arts\, will present a performance entitled “The Road Taken: Songs\, Music and Dance from the Irish Tradition” on Friday\, October 14 at 4:30 p.m. in Taplin Auditorium in Fine Hall on the Princeton University campus. Part of the 2016-17 Fund for Irish Studies series at Princeton University\, the event is free and open to the public. Taplin Auditorium is a different location than where Irish Studies Series events are usually held. \nGraham and Ó hAirt’s personal styles come from very disparate regions of Ireland—Graham’s ballads originate in northeastern Ulster while Ó hAirt’s lyrical sean-nós are from the Irish-speaking regions of the West. Their performance will exhibit numerous aspects of Irish culture and will include dance music on concertina and whistle\, puirt-á-beul (mouth-music)\, and sean-nós dancing. Their traditional Irish songs cover a breadth of styles and subjects: ballads\, lyric folksongs\, and music hall pieces\, which tell of love\, emigration\, politics\, and more. Through many seasons of collaboration\, the two have distilled the best of these traditions into a performance that weaves stories\, songs\, and dance that form the duo’s newest release\, The Road Taken.  \nGraham is a world-renowned Irish singer and author who was crowned as the prestigious All-Ireland Singing Champion in 1971. Since the start of his professional singing career in 1982\, he has collaborated with several legendary musicians\, poets and storytellers\, including the late John Campbell\, who shared similar passions for preserving Irish traditional arts. During the years of conflict in Northern Ireland\, Graham worked with Campbell on two albums that helped to raise awareness of shared cultural traditions across Ireland. In 2010 Graham released his most recent solo album\, Over the Hills and Far Away. He has shared his wealth of talent and knowledge about Irish song\, story\, and dance at several international literary and folk festivals\, as well as on television and radio. Throughout his career\, Graham has been recognized for his work with numerous awards\, including the 1992 Seán O’Boyle Cultural Traditions Award\, the 2008 “Keeper of the Tradition” award at the Tommy Makem Festival of Traditional Song\, and the 2011 CCÉ Bardic Award\, among others. \nÓ hAirt is the only American to have won the coveted senior title in traditional singing at the All-Ireland Fleadh Cheoil in Listowel\, County Kerry in 2002. In his teens\, his introduction to Chicago’s Irish-speaking community allowed him to cultivate a rich understanding of the sean-nós singing tradition long before his immersion in the language while living in the Connemara region of western County Galway. This experience left him with a vast repertoire of songs and language that continues to inform and inspire his singing. Ó hAirt has taught and performed extensively in North America\, including performances at the Milwaukee Irish Festival\, the Chicago Celtic Festival\, the Ennis Trad Festival\, and Sean-nós Milwaukee\, a festival he established in 2003. In addition\, his vocal recordings have been featured on numerous radio programs in both Ireland and the U.S.\, including various NPR and RTÉ radio programs. He is also an award-winning sean-nós dancer and accomplished instrumentalist on concertina\, accordion\, and whistle. He currently lives in Portland\, Oregon\, where he teaches Irish and helps develop language-learning games for Language Hunters\, a non-profit organization.
URL:https://fis.princeton.edu/event/performance-award-winning-musicians-brian-o-hairt-len-graham-road-taken-songs-music-dance-irish-tradition/
LOCATION:Taplin Auditorium in Fine Hall\, Princeton\, NJ\, 08544\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://fis.princeton.edu/wp-content/uploads/2016/10/Len-Brian-2-600.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20150501T163000
DTEND;TZID=America/New_York:20150501T183000
DTSTAMP:20260507T004442
CREATED:20150427T174026Z
LAST-MODIFIED:20150427T174026Z
UID:1355-1430497800-1430505000@fis.princeton.edu
SUMMARY:Féile Na Bealtaine: Ghost Trio
DESCRIPTION:On Friday\, May 1\, Ghost Trio\, comprised of singer Iarla Ó Lionáird\, fiddler Cleek Schrey\, and uilleann piper Ivan Goff\, will perform a Féile Na Bealtaine or “May festival” concert of Irish songs at 4:30 p.m. at Taplin Auditorium in Fine Hall on the Princeton University campus. The concert\, part of the Fund for Irish Studies series at Princeton University and co-sponsored by the Department of Music and Lewis Center for the Arts\, is free and open to the public. \nGhost Trio is the new project featuring sean nós singer Iarla Ó Lionáird on harmonium\, uilleann piper Ivan Goff\, and fiddler Cleek Schrey on hardanger. The trio explores timbre in voice\, pipes and strings through innovation and experimentation. All three musicians have explored musical worlds beyond their points of origin: Ó Lionáird from the Irish-speaking region of Cork where he was a virtuoso singer as a young child; Dublin-born Goff\, all-Ireland champion\, playing the pipes in traditional bands; and Virginia native\, Schrey\, whose roots are in American traditional music. They have each pushed boundaries to offer new sonic perspectives in the way we listen to music. \nBorn in the West Cork area in 1964 as one of twelve children\, Iarla Ó Lionaird has carved a long and unique career in music in Ireland and internationally. From his iconic early recording of the vision song “Aisling Gheal” as a young boy to his groundbreaking recordings with Dublin’s Crash Ensemble and Donnacha Dennehy\, he has demonstrated a breadth of artistic ambition within the Irish music community. He has worked with many composers internationally including Nico Muhly\, Gavin Bryars\, Dan Trueman and David Lang and has performed and recorded with such luminaries as Peter Gabriel\, Robert Plant\, Nick Cave and Sinead O’Connor. His unique vocal style has carried him to stages and concert halls all over the world\, from New York’s Carnegie Hall to the Sydney Opera House. His voice has graced the silver screen also\, with film credits extending from The Gangs of New York to Hotel Rwanda and most recently as featured vocalist in the films Calvary starring Brendan Gleeson and Brooklyn starring Saoirse Ronan. He is currently the vocalist with the critically acclaimed Irish-American band The Gloaming. \nIvan Goff\, originally from Dublin and now based in Brooklyn\, plays the uilleann pipes (Irish bellows-blown pipes)\, Irish wooden flute\, and pennywhistles. Apart from solo work\, Goff has toured with Irish traditional bands Dervish\, Danú\, Lúnasa\, Téada\, The Green Fields of America with Mick Moloney\, and is a former member of the Eileen Ivers Band. He has performed duets with many traditional musicians over the years including Míchéal Ó Raghallaigh and Patrick Ourceau\, and has collaborated across many genres. His music has been featured in diverse arenas\, including the acclaimed experimental art film Cremaster 3 (directed by Matthew Barney)\, at the Guggenheim museum\, and in theatrical productions such as Peter and Wendy (Mabou Mines\, directed by Lee Breuer). Goff has worked as a soloist with composers throughout the world on various projects including a specially commissioned concerto for uilleann pipes with the Albany Symphony Orchestra and\, more recently\, a new music piece with bass clarinet and 23-piece orchestra composed by Elizabeth Hoffman. Goff has also performed in many productions including extended engagements with Riverdance (U.S. National Tour and Broadway) and Michael Flatley’s Lord of the Dance. Goff received his B.A. in music from Maynooth University\, his M.A. in Computer Composition and Music Technology from Queens University\, Belfast\, and his M.A. in Musicology from University College Dublin. He is currently a Ph.D. candidate in music at New York University. \nDescribed by The Irish Times as “a musician utterly at one with his instrument and his music\,”Cleek Schrey is a fiddler and composer from Virginia. An active member of traditional music communities in America and Ireland he plays with the award-winning string band Bigfoot and comprises one half of a duo with the old time fiddler Stephanie Coleman\, in addition to his work with Ghost Trio. The journal Sound Post has noted that Cleek “possesses a rare combination of traits: deep respect for traditional music and the people who make it\, and an unbounded curiosity about new directions for sound.” He is currently pursuing a Masters in Music Composition at Wesleyan University. \nGhost Trio owes its name to Goff\, who has a particular affinity for the plays of Samuel Beckett\, specifically\, Beckett’s play of the same name. Beckett’s play in turn\, borrows its title (along with some musical fragments) from Beethoven’s Ghost Trio\, which was published in 1809 and is characterized by a particularly eerie sound\, which was influenced\, some say\, by the fact that Beethoven was at that time working on an opera based on Macbeth. This contemporary trio of musicians shares a profound interest in sound itself and their collaborative name “tips its hat to the ghosts that insinuate themselves into the fabric of Irish traditional music.” \nThe Fund for Irish Studies\, chaired by Princeton professor and Pulitzer Prize-winning poet Paul Muldoon\, affords all Princeton students\, and the community at large\, a wider and deeper sense of the languages\, literatures\, drama\, visual arts\, history\, politics and economics not only of Ireland but of “Ireland in the world.” \nTo learn more about the over 100 events presented each year by the Lewis Center for the Arts\, visit arts.princeton.edu. To learn more about the Department of Music’s many concerts and events visit: http://www.princeton.edu/music/.
URL:https://fis.princeton.edu/event/feile-na-bealtaine-ghost-trio/
LOCATION:Taplin Auditorium in Fine Hall\, Princeton\, NJ\, 08544\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://fis.princeton.edu/wp-content/uploads/2015/04/ghost-trio.jpg
ORGANIZER;CN="Mary O'Connor":MAILTO:oconnorm@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20140425T163000
DTEND;TZID=America/New_York:20140425T180000
DTSTAMP:20260507T004442
CREATED:20140317T144509Z
LAST-MODIFIED:20140418T201451Z
UID:1283-1398443400-1398448800@fis.princeton.edu
SUMMARY:Martin Hayes & Dennis Cahill
DESCRIPTION:Fiddler Martin Hayes and guitarist Dennis Cahill will perform Irish traditional music on Friday\, April 25\, at 4:30 p.m. in the James M. Stewart ’32 Theater at 185 Nassau Street.  The performance is the final event in the 2013-14 series presented by Princeton University’s Fund for Irish Studies.  The concert is free and open to the public. \n  \n  \n“This remarkable duo has honed a ravishing repertoire by distilling the melodic essence of traditional tunes…bringing chamber music’s intensity and dynamic control to folk music.” \n(Seattle Times)\nMartin Hayes and Dennis Cahill are two of the world’s leading artists in traditional Irish music. Their adventurous\, soulful interpretations of traditional tunes are recognized the world over for their exquisite musicality and irresistible rhythm.  The New York Times calls them “a Celtic complement to Steve Reich’s Quartets and Miles Davis’s Sketches of Spain.” Their latest CD\, Welcome Here Again\, captures the chemistry of their duo playing. \nFiddler Martin Hayes\, from East County Clare\, is considered one of Ireland’s most innovative and influential musicians.  He was raised in a famous musical family in rural County Clare\, and had won six All-Ireland fiddle championships by age 19.  Dennis Cahill was born and raised in Chicago to parents from County Kerry\, Ireland. He is a master guitarist whose spare\, essential accompaniment to Hayes’ fiddle is acknowledged as a major breakthrough for guitar in the Irish tradition.  The duo has toured throughout the world for almost twenty years including multiple tours to Australia\, Japan\, Italy\, Germany\, France\, Holland\, Scandinavia\, Canada\, the U.K. and Ireland as well as stops in Hong Kong\, the People’s Republic of China\, Poland and Mexico. Hayes and Cahill have recorded three critically acclaimed albums together on Green Linnet Records.  They were the featured performers at the March 17\, 2011 annual St. Patrick’s Day Congressional Luncheon playing for the President\, Vice-President\, members of Congress\, and the President of Ireland at the Capitol\, and that evening at the White House. \nIn February 2013 the duo performed a “Tiny Desk Concert” for NPR: \n \nTwo recent projects have received much attention: Masters of Tradition\, an ensemble of seven Irish virtuoisi on tour\, based on a festival Martin curates each year in County Cork; and The Gloaming\, a new Irish “supergroup” that includes singer Iarla O Lionaird (Afro Celt Sound System) and the New York downtown pianist Doveman (Thomas Bartlett). Their musical explorations have included collaborations with jazz guitarist Bill Frisell\, “new grass” duo Darol Anger and Mike Marshall\, and the Irish Chamber Orchestra. \n“Our allegiance is to the spirit of the moment\,” says Hayes of their concert appearances. “Our primary wish is that the musical experience be one that lifts our spirits and those of the audience.”\n[hr top] \nHayes & Cahill\, photographed by Derek Speirs\nMartin Hayes\, from East County Clare\, began playing the fiddle at the age of seven and went on to win six All-Ireland fiddle championships before the age of nineteen. He is the recipient of numerous awards including Folk Instrumentalist of the Year from BBC Radio\, Man of the Year from the American Irish Historical Society and Musician of the Year from TG4\, the Irish language television station. Martin has contributed music\, both original and traditional\, to modern dance performance\, theatre\, film and television. He is the artistic director of Masters of Tradition\, an annual festival in Bantry\, County Cork and functions in the same capacity for the touring production of the festival featuring other Irish music masters\, including Dennis Cahill\, which toured the U.S. in April 2012 and will tour again in March 2013. Both Martin and Dennis are part of the new Irish band\, The Gloaming\, which explores the edges of traditional Irish music. Martin also collaborates with the American classical music quartet\, Brooklyn Rider. He teaches advanced fiddle classes at festivals and music retreats and in addition to recording two solo albums\, and three duet albums with Dennis Cahill\, has produced and collaborated on recordings with other distinguished Irish musicians\, including his late father\, the esteemed fiddler P.J. Hayes. \nDennis Cahill is a master guitarist from Chicago born to Irish-speaking parents from the Dingle Peninsula in County Kerry. His spare\, essential accompaniment to Martin Hayes’ fiddle is acknowledged as a major breakthrough for guitar in the Irish tradition. Besides touring with Martin Hayes for their duet performances\, Dennis is a member of the Masters of Tradition ensemble as well as an annual participant at the festival of the same name\, and plays with The Gloaming. He is a sought-after record producer where he works with musicians in his home studio in Chicago\, as well as a talented photographer (www.denniscahill.com). \n  \n  \n 
URL:https://fis.princeton.edu/event/martin-hayes-dennis-cahill/
LOCATION:James M. Stewart ’32 Theater\, 185 Nassau Street\, Princeton\, 08542
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://fis.princeton.edu/wp-content/uploads/2014/03/hayes-cahill.jpg
ORGANIZER;CN="Mary O'Connor":MAILTO:oconnorm@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20140404T163000
DTEND;TZID=America/New_York:20140404T180000
DTSTAMP:20260507T004442
CREATED:20140310T204322Z
LAST-MODIFIED:20140328T172814Z
UID:1277-1396629000-1396634400@fis.princeton.edu
SUMMARY:Black 47
DESCRIPTION:Admission is FREE but tickets are required.\nPlease call the McCarter Theatre Box Office at (609) 258 – 2787.\nThey played more gigs at Shea Stadium than The Beatles\, shut down the city of Hoboken\, appeared multiple times on Leno\, Letterman\, and O’Brien\, starred in a movie with their fans Matt Dillon and Danny Glover\, helped spring the Guilford Four and the Birmingham Six from British prisons\, saved an Irish immigrant church from the wrecking ball. \nAnything else? Oh yeah\, their CD IRAQ was the most popular with troops serving in Iraq\, their song The Big Fellah was featured for 3 minutes on Sons of Anarchy\, they’ve played over 2500 gigs from pubs to stadiums and released 14 CDs\, their songs are used in hundreds of high school and college history and political science courses\, and they intend disbanding on November 8th 2014\, exactly 25 years after their first gig in The Bronx. \nThen again\, Black 47 has always done it their way. Led by Irish author\, playwright\, and SiriusXM radio host\, Larry Kirwan\, Black 47 play a uniquely Irish form of rock ‘n’ roll that touches on many social and political issues\, and yet is never less than entertaining and riveting. Black 47 earned their chops playing four sets a night in New York pubs. They gained national attention for their first indie record before The Cars’ Ric Ocasek produced their second album\, Fire Of Freedom which brought them mainstream attention with MTV favorites\, Funky Ceili and Maria’s Wedding. \nThrough years of relentless touring the band’s signature eclectic sound\, socially conscious lyrics and exciting concerts paved the way for other Irish influenced bands such as Flogging Molly and The Dropkick Murphys. A band of band leaders\, Black 47 includes\, Geoff Blythe (saxophones)\, Thomas Hamlin (drums)\,\nFred Parcells (trombone/whistle)\, Joseph Mulvanerty (uilleann pipes/flutes/bodhran) & Joseph “Bearclaw” on bass. \nThis legendary Irish rock band has left a lasting legacy and they intend going out with a bang. Their final CD\, Last Call\, will be released in January. \n* This event is FREE\, but tickets are required. Please call the McCarter Theatre Center Box Office at (609) 258 – 2787.\n 
URL:https://fis.princeton.edu/event/black-47/
LOCATION:Berlind Theatre\, McCarter Theatre Center\, Princeton\, NJ\, 08544\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://fis.princeton.edu/wp-content/uploads/2014/03/Group-photo-Black-47.jpg
ORGANIZER;CN="Mary O'Connor":MAILTO:oconnorm@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20140207T163000
DTEND;TZID=America/New_York:20140207T180000
DTSTAMP:20260507T004442
CREATED:20140109T170354Z
LAST-MODIFIED:20140117T160434Z
UID:1263-1391790600-1391796000@fis.princeton.edu
SUMMARY:Fran O'Rourke & John Feeley
DESCRIPTION:Irish classical guitarist John Feeley and Associate Professor of Philosophy at University College Dublin Fran O’ Rourke will perform “JoyceSong: Irish Songs from the Works of James Joyce\,” Irish songs with a Joyce connection on Friday\, February 7\, at 4:30 p.m. in the James M. Stewart ’32 Theater at 185 Nassau Street.  The performance is part of a series presented by Princeton University’s Fund for Irish Studies.  The event is free and open to the public. \n“JoyceSong” began in the Martello tower in Sandycove\, Dublin\, home to the James Joyce Museum\, where John Feeley and Fran O’Rourke performed some of Joyce’s favorite Irish songs\, accompanied by a guitar belonging to Joyce\, which was donated to the museum in 1966.  While Joyce’s interest in classical music\, especially opera\, is well-documented\, the important allusions throughout his writings to songs from the Irish tradition are less well-known.  Included in Feeley and O’Rourke’s repertoire are the forgotten air used by Joyce for his concert performance of “Salley Gardens\,” and Goldsmith’s song\, “The Jolly Pigeons\,” which Joyce taught to the actor who played Tony Lumpkin in his Zurich production of She Stoops to Conquer. \nJohn Feeley has been described by the Washington Post as “Ireland’s leading classical guitarist.” In addition to his solo and chamber music concerts\, he has performed widely with orchestras including The American Symphony at Carnegie Hall\, the National Symphony Orchestra of Ireland\, the Ulster Orchestra\, and the Irish Chamber Orchestra\, among others. He has won a number of prizes in international competitions\, including the Special Award for interpretation in the 1984 Mauro Giuliani competition\, Italy.  Highly regarded for his performance of new works by Irish composers\, he has regularly performed at international guitar festivals\, including the Dublin International Guitar Festival.  He has made recordings with K-Tel\, Gael-Linn Records\, CBA Classics\, Ossian Records\, Castle Communications and Blackbox Music.  He has recently retired as Professor at the Conservatory of Music\, Dublin Institute of Technology\, but continues to teach at a number of institutions. \nFran O’Rourke is Associate Professor of Philosophy at University College Dublin.  He is primarily interested in the tradition of classical metaphysics and has published widely on Plato\, Aristotle\, Aquinas\, and Heidegger.  His book Pseudo-Dionysius and the Metaphysics of Aquinas was reissued by University of Notre Dame Press (2005).   Allwisest Stagyrite: Joyce’s Quotations from Aristotle was published by the National Library of Ireland in 2005.  He is preparing for publication a collection of essays entitled Aristotelian Interpretations\, and is completing a book on James Joyce\, Aristotle\, and Aquinas.  He has lectured widely both on philosophical influences in Joyce and on Joyce’s use of song; he has performed recitals of Irish songs featured in Joyce’s work in the National Concert Hall\, Dublin (2004) and the Conservatorio\, Trieste (2008).  In 2012 he organized and sponsored the restoration of James Joyce’s guitar\, which was donated by Joyce’s friend Paul Ruggiero to the museum in 1966. \nThe Fund for Irish Studies\, celebrating its 15th anniversary season and chaired by Princeton professor and Pulitzer Prize-winning poet Paul Muldoon\, affords Princeton students\, and the community at large\, a wider and deeper sense of the languages\, literatures\, drama\, visual arts\, history\, politics and economics not only of Ireland but of “Ireland in the world.”
URL:https://fis.princeton.edu/event/fran-orourke-john-feeley/
LOCATION:James M. Stewart ’32 Theater\, 185 Nassau Street\, Princeton\, NJ\, 08544\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://fis.princeton.edu/wp-content/uploads/2014/01/thumbnail.jpg
ORGANIZER;CN="Mary O'Connor":MAILTO:oconnorm@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20131018T163000
DTEND;TZID=America/New_York:20131018T180000
DTSTAMP:20260507T004442
CREATED:20131017T160313Z
LAST-MODIFIED:20131017T160313Z
UID:125-1382113800-1382119200@fis.princeton.edu
SUMMARY:Irish Jazz Singer Christine Tobin
DESCRIPTION:Performance of her award-winning settings of poems by W.B. Yeats next in Fund for Irish Studies Series \nJazz singer and composer Christine Tobin will give a performance of “Sailing to Byzantium\,” her award-winning musical settings of poems by W.B. Yeats\, on Friday\, October 18\, at 4:30 p.m. in the Frist Theatre at the Frist Campus Center.  The performance is part of a series presented by Princeton University’s Fund for Irish Studies. The event is free and open to the public. \nChristine Tobin is an award-winning Irish songwriter and composer based in the U.K.\, where The Guardian has described her as “a jewel of the London jazz scene\, streets ahead of the pack.” Having recorded seven albums for Babel\, one of the U.K.’s most dynamic and creative Indie labels\, she is the recipient of several awards and accolades that praise her skills as a writer and arranger.  In 2008 she was named Best Vocalist at the BBC Jazz Awards and in December 2012 she won a British Composer Award for “Sailing to Byzantium.”  She was also shortlisted for two Parliamentary Jazz Awards this year – “Musician of the Year” and “Album of the Year.” \n[quote style=”boxed” float=”right”]Hear Tobin perform Carole King’s classic\, “So Far Away\,” in this video with accompanist Liam Noble: \n\n[/quote] \nTobin’s versatility and musical integrity have won her invitations to record and work with a long list of artists that includes\, among others\, Billy Childs and Django Bates.  She works regularly in the U.K. and international contemporary music scene\, performing at Ronnie Scott’s Jazz Club in London and recently to sell-out audiences at the Rochester International Jazz Festival in the U.S. She has also presented special features for BBC Radio 3’s cutting edge program Jazz on 3 and was a regular on Alyn Shipton’s Jazz Library during its long run on BBC Radio 3. \n“Sailing to Byzantium” is her latest work and an “unqualified masterpiece\,” according to Jazzwise Magazine.  It is a work that brings to life the lyrical magic of poetry through a sensitive setting of twelve poems by Yeats.  The poems range from his earlier works to his final collection\, featuring some of his best-loved poems\, including “When You Are Old” and “The Wild Swans at Coole.” \nInformation on the full 2013-2014 Fund for Irish Studies series can be found at fisprinceton.wpengine.com.  Upcoming lectures scheduled in the series include: \n\nPhilip King on “The Irish Song Lyric from Tom Moore to Christy Moore\,” November 8\nTony Award-winning playwright Enda Walsh in conversation with Senior Lecturer in Theater and Lewis Center Chair Michael Cadden\, November 15\n\nTo learn more about the over 100 events presented each year by the Lewis Center for the Arts\, visit princeton.edu/arts. \n\nLink to photo:   https://lca.sharefile.com/d/sf9437bd12e941cea \nPhoto caption:  Christine Tobin\, an Irish jazz singer\, will perform her award-winning settings of poems by W.B. Yeats as part of a series presented by the Fund for Irish Studies at Princeton \nPhoto credit:  Photo by Bob Barkany
URL:https://fis.princeton.edu/event/irish-jazz-singer-christine-tobin/
LOCATION:Frist Theatre\, Frist Campus Center\, Princeton\, NJ\, 08544\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://fis.princeton.edu/wp-content/uploads/2013/10/Christine-Tobin-headshot-by-Bob-Barkany1.jpg
ORGANIZER;CN="Mary O'Connor":MAILTO:oconnorm@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20130412T163000
DTEND;TZID=America/New_York:20130412T170000
DTSTAMP:20260507T004442
CREATED:20131111T141334Z
LAST-MODIFIED:20131111T141334Z
UID:158-1365784200-1365786000@fis.princeton.edu
SUMMARY:In Two Minds: Songs\, Music and Dance from the Irish Tradition
DESCRIPTION:Len Graham and Brian Ó hAirt\, two award-winning proponents of Irish traditional arts\, will give a performance of “In Two Minds: Songs\, Music and Dance from the Irish Tradition\,” on Friday\, April 12\, at 4:30 p.m. at the Lewis Center for the Arts’ James M. Stewart ’32 Theater at 185 Nassau Street. The performance is part of a series presented by Princeton University’s Fund for Irish Studies. The event is free and open to the public. \nLen Graham is a world-renowned Irish singer and author who was crowned as the prestigious All-Ireland Singing Champion in 1971. Since the start of his professional singing career in 1982\, he has collaborated with several legendary musicians\, poets and storytellers\, including the late John Campbell\, who shared similar passions for preserving Irish traditional arts. During the years of conflict in Northern Ireland\, Graham worked with Campbell on two albums which helped to raise awareness of shared cultural traditions across Ireland. In 2010 Graham released his most recent solo album\, Over the Hills and Far Away. \nLen Graham and Brian Ó hAirt\, two award-winning proponents of Irish traditional arts\, will give a performance of “In Two Minds: Songs\, Music and Dance from the Irish Tradition\,” on Friday\, April 12\, at 4:30 p.m. at the Lewis Center for the Arts’ James M. Stewart ’32 Theater at 185 Nassau Street.  The performance is part of a series presented by Princeton University’s Fund for Irish Studies. The event is free and open to the public. \nLen Graham is a world-renowned Irish singer and author who was crowned as the prestigious All-Ireland Singing Champion in 1971.   Since the start of his professional singing career in 1982\, he has collaborated with several legendary musicians\, poets and storytellers\, including the late John Campbell\, who shared similar passions for preserving Irish traditional arts.  During the years of conflict in Northern Ireland\, Graham worked with Campbell on two albums which helped to raise awareness of shared cultural traditions across Ireland.  In 2010 Graham released his most recent solo album\, Over the Hills and Far Away. \nGraham has shared his wealth of talent and knowledge about Irish song\, story and dance at several international literary and folk festivals\, as well as on television and radio.  Throughout his career\, Graham has been recognized for his work with numerous awards including the 1992 Seán O’Boyle Cultural Traditions Award\, the 2008 “Keeper of the Tradition” award at the Tommy Makem Festival of Traditional Song\, and the 2011 CCÉ Bardic Award\, among others. \nFollowing in the footsteps of Graham and such greats as Joe Heaney and Frank Harte\, Ó hAirt also claims the title of All-Ireland Singing Champion in 2002.  That same year\, Ó hAirt won the coveted Sgiath Uí Dhálaigh shield at the Fleadh Cheoil na hÉireann in Listowel\, County Kerry. A talented musician and dancer\, as well as vocalist\, Ó hAirt also performs with the Chicago-based band Bua\, which released its third album\, Down the Green Fields\, in 2011. \nIn the past Ó hAirt has shared the traditions of Ireland with performances at the Milwaukee Irish Festival\, the Chicago Celtic Festival\, the Ennis Trad Festival and Sean-nós Milwaukee\, a festival he established in 2003.  In addition\, his vocal recordings have been featured on numerous radio programs in both Ireland and the U.S. \nGraham and Ó hAirt will combine their talents in song and dance to exhibit numerous aspects of Irish culture during their performance\, which will include dance music on concertina and whistle\, puirt-á-beul (mouth-music) and sean-nós dancing.  Their songs of Ireland handed down over generations cover a breadth of styles and subjects: ballads\, lyric folksongs and music hall pieces tell of love\, emigration\, politics and more. In addition\, Graham and Ó hAirt will demonstrate traditional sean-nós singing\, a genre for which they have both won Irish Music Awards—Graham in 2008 and Ó hAirt in 2009. \nThe Fund for Irish Studies\, chaired by Princeton professor and Pulitzer Prize-winning poet Paul Muldoon\, affords all Princeton students\, and the community at large\, a wider and deeper sense of the languages\, literatures\, drama\, visual arts\, history\, politics and economics not only of Ireland but of “Ireland in the world.”  Its mission is to coordinate and expand existing courses taught by present members of the faculty and to offer a series of public lectures\, literary readings\, conferences\, exhibitions\, screenings and theatrical performances. \nThe final event in this year’s series will take place on April 19 when R.F. Foster presents a lecture entitled “Making a Revolutionary Generation in Ireland\, 1890-1916.” \nTo learn more about the over 100 events presented by the Lewis Center for the Arts each year visit princeton.edu/arts. \nLink to photo:   https://lca.sharefile.com/d/se76b17250294173b \nPhoto caption 1:  Len Graham\, an acclaimed proponent of Irish traditional arts\, will perform a selection of songs\, music and dance along with Brian Ó hAirt as part of a series presented by the Fund for Irish Studies at Princeton \nPhoto caption 2: Award-winning Irish singer\, musician and sean-nós dancer Brian Ó hAirt \nPhoto credit:  Photos courtesy of Len Graham
URL:https://fis.princeton.edu/event/in-two-minds-songs-music-and-dance-from-the-irish-tradition/
LOCATION:James M. Stewart ’32 Theater\, 185 Nassau Street\, Princeton\, NJ\, 08544\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://fis.princeton.edu/wp-content/uploads/2013/11/BrianOhAirt-200x300.jpg
ORGANIZER;CN="Mary O'Connor":MAILTO:oconnorm@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20121105T170000
DTEND;TZID=America/New_York:20121105T183000
DTSTAMP:20260507T004442
CREATED:20131007T194835Z
LAST-MODIFIED:20131007T194835Z
UID:111-1352134800-1352140200@fis.princeton.edu
SUMMARY:Moya Brennan - The Voice of Clannad - with Family & Friends
DESCRIPTION:Moya Brennan\, a Grammy-Award winning musician\, singer\, and songwriter\, will give a concert at the Taplin Auditorium in Fine Hall at Princeton University on November 5 at 5:00 p.m.  Brennan is the lead vocalist for the Grammy Award-winning Irish band Clannad\, known around the world for its blend of musical styles with traditional Irish music. “Moya Brennan – the Voice of Clannad –with Family and Friends\,” is co-presented by the University’s Lewis Center for the Arts Performance Central Series\, the Index of Christian Art\, and the Fund for Irish Studies\, is free and open to the public\, however advance ticket reservations are recommended. \nMoya Brennan\, also known by the Gaelic spelling Máire \, started her musical career at a young age\, performing at her father’s bar with her siblings\, Ciarán and Pól. Later\, their twin uncles\, Noel and Pádraig Duggan\, joined the trio\, forming the band\, Clannad\, and releasing their first album in 1973. Known for blending folk\, rock\, jazz\, ambient\, and world music genres and for incorporating Irish history and traditional Gaelic words into their lyrics\, Clannad helped define modern Irish music with their 15 studio albums released over a recording career spanning 25 years. Among these are Legend (1984)\, which won Ivor Novello and British Academy of Film and Television Arts awards\, PastPresent (1989)\, and Banba (1993)\, which reached Top 5 on the UK Charts\, and Landmarks (1997)\, which won a Grammy Award in 1999 for Best New Age Album. Enriched with lyrics celebrating Irish history and inspired by Irish music\, Landmarks has become one of the most celebrated albums in Ireland. Though no longer recording\, Clannad continues to give concerts all around the world\, from the United States to Thailand. \nBrennan has also been acclaimed as a soloist. She has released eight studio albums\, Máire (1992)\, Misty Eyed Adventures(1993)\, Perfect Time (1998)\, Whisper to the Wild Water (1999)\,Two Horizons (2003)\, An Irish Christmas (2005/2006)\,Signature (2006)\, and Heart String (2008).  She has collaborated with countless world-renowned musicians\, including Bono of U2\, who said of her voice\, “ I think Máire has one of the greatest voices the human ear has ever experienced .”  The power of her voice led to many other successes\, including working on several film soundtracks\, such as Titanic\, and performing to the largest audience to ever gather in the northern hemisphere\, a crowd of 2.7 million people in the TorVargetta outside Rome at World Youth Day in 1999. She is also widely recognized for her popularization of Irish language\, culture\, and music. This work\, along with her contributions to Clannad\, have led to her reputation as “The First Lady of Celtic Music.” \nOutside her music career\, Brennan continues to help bring Irish music and culture to worldwide attention. She is the author of two books\, the autobiographical The Other Side of the Rainbow and the collector’s item Ireland: Landscapes of God’s Peace. In 2011\, she received an Emmy award for her work on the documentary\, Music of Ireland\, a television documentary series on Irish music. \nFree tickets may be reserved through University Ticketing by calling 609.258.9220 or at the Frist Campus Center Ticket Office open Monday through Friday from 12 noon to 6 p.m. Any remaining tickets will be available at the auditorium the evening of the concert. \nLink to photo: https://lca.sharefile.com/d/s220837cc80745179\nPhoto caption:  “The First Lady of Celtic Music\,” Moya Brennan\, from the Grammy Award-winning band Clannad\, will perform in concert at Princeton University on November 5 at 5:00 p.m.\, co-presented by the Lewis Center for the Arts Performance Central Series\, the Index of Christian Art in the Department of Art and Archeology\, and the Fund for Irish Studies.\nPhoto credit:  Photo by Tim Jarvis
URL:https://fis.princeton.edu/event/moya-brennan-the-voice-of-clannad-with-family-friends/
LOCATION:Taplin Auditorium in Fine Hall\, Princeton\, NJ\, 08544\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://fis.princeton.edu/wp-content/uploads/2013/10/brennen158.jpg
ORGANIZER;CN="Mary O'Connor":MAILTO:oconnorm@princeton.edu
END:VEVENT
END:VCALENDAR