Friday, February 23, 2018
Wallace Theater, Lewis Arts complex
FREE and open to the public
To mark the publication of his new volume Lamentations and the performance in Princeton of Olagón, Paul Muldoon gives a special reading with guest appearances by Irish singer Iarla Ó Lionáird and Princeton University Professor of Music Dan Trueman.
Pulitzer Prize-winning poet Paul Muldoon will present a reading from his recent poetry collections joined by acclaimed singer Iarla Ó Lionáird and composer Dan Trueman, in celebration of Muldoon’s latest volume Lamenations and the three artists’ collaboration with Eighth Blackbird, Olagón: a Cantata in Doublespeak. The reading, presented by Princeton University’s Fund for Irish Studies, will take on place on Friday, February 23 at 4:30 p.m. in the Wallace Theater located at the Lewis Arts complex on the Princeton campus. This event is free and open to the public. Performances of Olagón are being presented on February 22 through 24.
Muldoon will be reading from his recently published collection Lamentations, which presents a translation of a classic Irish poem from the 18th-century and re-envisions the haunted narratives within. He will also read from his lauded Selected Poems 1968-2014, work selected from the past 45 years and drawn from 12 individual collections by the poet, hailed by Nobel Laureate Seamus Heaney as “one of the era’s true originals.”
The reading will include appearances by two of Muldoon’s recent collaborators on Olagón: a Cantata in Doublespeak. This new work is an evening-length collaboration between the Grammy Award-winning sextet Eighth Blackbird, Muldoon, Ó Lionáird, and Trueman. With text written by Muldoon in both English and Irish and based on the classic Irish tale Táin Bó Cúailnge, the cantata paints a narrative of hardship in contemporary Ireland with traditional music, such as sean nós, performed by Ó Lionáird and with stage direction by Mark DiChiazza. Performances will be held on February 22, 23 and 24 at 8:00 p.m. also in the Wallace Theater. Hosted by the Princeton Department of Music, Eighth Blackbird will be in residence at Princeton Sound Kitchen from February 20 through 26.
Paul Muldoon was born in 1951 in County Armagh, Northern Ireland, and educated in Armagh and at the Queen’s University of Belfast. From 1973 to 1986 he worked in Belfast as a radio and television producer for the British Broadcasting Corporation. Since 1987 he has lived in the United States, where he is now Howard G. B. Clark ’21 Professor at Princeton University and was founding chair of the Peter B. Lewis Center for the Arts. In 2007 he was appointed Poetry Editor of The New Yorker. Between 1999 and 2004 he was Professor of Poetry at the University of Oxford, where he is an honorary Fellow of Hertford College. A Fellow of the Royal Society of Literature, the American Academy of Arts and Sciences and the American Academy of Arts and Letters, Muldoon was given an American Academy of Arts and Letters award in literature for 1996. Other awards include the 1994 T. S. Eliot Prize, the 1997 Irish Times Poetry Prize, the 2003 Pulitzer Prize, the 2003 Griffin International Prize for Excellence in Poetry, the 2004 American Ireland Fund Literary Award, the 2004 Shakespeare Prize, the 2005 Aspen Prize for Poetry, and the 2006 European Prize for Poetry. He has been described by The Times Literary Supplement as “the most significant English-language poet born since the second World War.”
Iarla Ó Lionáird has carved a long and unique career in music in Ireland. From his iconic early recording of the vision song Aisling Gheal as a young boy to his groundbreaking recordings with Dublin’s Crash Ensemble, he has shown a breadth of artistic ambition. He has worked with a number of composers internationally, including Nico Muhly, Donnacha Dennehy, Dan Trueman, Gavin Bryars and David Lang, and he has performed and recorded with such artists as Peter Gabriel, Robert Plant, Nick Cave and Sinead O’Connor. His unique singing style has carried him to stages and concert halls all over the world, from New York’s Carnegie Hall and Lincoln Center to the Sydney Opera House, London’s Royal Albert Hall and beyond. His film credits extend from The Gangs of New York to Hotel Rwanda and most recently as featured vocalist in the film Calvary starring Brendan Gleeson and the film adaptation of Colm Tóibín’s Brooklyn starring Saoirse Ronan. Ó Lionáird was a 2016-17 Belknap Fellow in the Humanities Council and Department of Music at Princeton.
Dan Trueman is a professor of music composition in Princeton’s Department of Music, Director of the Princeton Sound Kitchen, and a noted fiddler and electronic musician. He co-founded the Princeton Laptop Orchestra, the first ensemble of its size and kind that has led to the formation of similarly inspired ensembles across the world. His compositional work reflects this complex and broad range of activities, exploring rhythmic connections between traditional dance music and machines, for instance, or engaging with the unusual phrasing, tuning and ornamentation of the traditional Norwegian music while trying to discover new music that is singularly inspired by, and only possible with, new digital instruments that he designs and constructs. In addition to Olagón, his current projects include a double-quartet for Sō Percussion and the JACK Quartet, commissioned by the Barlow Foundation; the Prepared Digital Piano project; a collaborative dance project with choreographer and Princeton dance faculty member Rebecca Lazier and Professor of Mechanical and Aerospace Engineering Naomi Leonard; ongoing collaborations with Irish fiddler Caoimhín Ó Raghallaigh and guitarist Monica Mugan (Trollstilt); and a new collaborative work with Mark DeChiazza for the PRISM saxophone quartet. Trueman is the recipient of a 2016 Bessie Award, a 2015 American Council of Learned Societies Fellowship, a 2014 Barlow Commission, a 2010 Fulbright Fellowship, a 2008 MacArthur Foundation “Digital Innovations” Grant, and a 2015 Guggenheim Fellowship.
The Fund for Irish Studies, chaired by Princeton professor Clair Wills, affords all Princeton students, and the community at large, a wider and deeper sense of the languages, literatures, drama, visual arts, history, politics, and economics not only of Ireland but of “Ireland in the world.”